I’m currently working towards two spring shows that will focus on place and the local landscape. Some of my work draws heavily on the Sussex countryside and the coastline for reference. For a couple of years I’ve been making some pieces that have elements influenced by buoys or ship’s floats that I often find on the beach at Newhaven and Dungeness.
But I might find my influences shifting as my daily routine begins to focus on the urban environment of the city of Brighton and Hove. There’s still the coast there, but it’s a very different kind of seaside. It’s not just the surroundings of the pier and nightclubs and shops; the sea actually looks different somehow. No doubt, the Sussex countryside and seascape will still be a huge part of my work. But it will be interesting to see if this change begins to be reflected in small ways in my work, as I go through the year.
A new studio space
In November 2015 I moved from my workshop at home to a new ceramics studio in Brighton. I’m now based at Atelier 51 in Brighton along with fellow ceramicist Silvia K, artists Sarah Young and Rhoda K Baker. It’s also the new HQ for craft event organisers Tutton and Young.
Moving studios was a big change for me. I’ve been working on my own at home for several years and the move has positive and negative sides to it. The downsides are I now have to journey to my workshop, so I can no longer check the kiln in my pyjamas last thing at night, or chat to the cat while I’m throwing on the wheel. I have also lost some peace and quiet – as there are always sounds around me from the other craft workshops, even if it’s just the radio. It’s also freezing! There’s no central heating. I’m aware that most potters have freezing workshops in the winter, so I’ve been lucky these last few years to have a warm space to work in. I’m now wrapped in thermals and a wooly hat most days.
But the positives are really great and I’m hoping it will be a valuable change for me. The great upside and the reason I made the change is being part of a community of makers and artists. Having others in a similar field to chat to over a cuppa or to moan with about the trials and tribulations of the latest firing, or the tax return is a great thing. The companionship and the subtle daily support of having fellow makers around me is something I missed after leaving college and its importance shouldn’t be underestimated.
Another amazing upside is being part of Brighton’s well established Artists Open Houses events which happens each year over four weeks in May and again in December. We opened our studios, and the gallery/shop space that is being developed on the site, this December and it was a great success. At it we showed our own work alongside that of over 20 other invited makers which filled our studios with delightful things. We’ll be doing it again in May and we aim to have our work on display throughout the year.
Because of the open studio events, it took me a while to get making in the new studio, so I had an agonising gap when I was ‘between studios’. But I’m back in full swing now, settling into the new space, whilst still trying to work out the best way to organise everything. I’m hoping that ‘going to work’ at the workshop will make me more productive without the distractions of home to lure me away from the wheel. Well we’ll see.